Ryan Thompson

Professor of Art & Design; Department Chair

Education

M.F.A., University of Illinois at Urbana-Champaign, Urbana, Illinois, 2009
B.F.A., Calvin College, Grand Rapids, Michigan, 2003

Associated Academic Programs

Art & Design

“As an artist and educator, I continually seek out ways to promote renewal in the world, both in my personal practice and in my interactions with students. My ultimate goal as an instructor is to mentor students in critical thinking and to help them develop and grow in their thirst for knowledge, truth, and redemption. “

Thompson’s world view is based on the understanding that the world is broken, complicated by humanity’s sin. He takes seriously his responsibility as a Christian to promote renewal in work and life, bear witness to God’s grace, and encourage the exploration of belief, knowledge, and the physical world.

“I was drawn to the field of art and design because I believe so strongly in its transformative abilities—to change perceptions, reveal greater truths, unite minds, and inspire joy,” said Thompson. “I strive, in my personal practice, to create spaces for grace, restoration, and redemption. I encourage students to view their discipline in a similar way and to engage in the active transformation of our world.”

Scholarship and art isn’t all about transformation, though, says Thompson. It is also about exploration and engagement.

“Art is interactive and provides many opportunities for its participants to engage in conversation, discussion, and learning,” he said. “Through these interactions, we learn from each other how better to care for our world and one another.”

Thompson has demonstrated his world view in his own intentionally varied educational background. Diversity and understanding diversity are a large part of successful engagement with art and the world.

“As an artist and as a Christian, I am called to make diversity central to my educational objectives. I strongly believe that the more diversified we are as a body of believers, the more we can learn from each person’s unique strengths, work together through our weaknesses, and worship God in unity for his love and grace.”

Dr. Thompson’s Studio Website.   The home for all art, projects, images and photographs by Ryan Thompson and the Department of Natural History.

Courses Taught

2D Design
Digital Media
Beginning & Intermediate Photography
Beginning Drawing
Advanced Media
Special Topics: Art & Ecology
Special Topics: Archive Fever
Visual Culture

Selected Exhibitions

  • DOG, Dog, San Fransisco, CA, 2023
  • Crude Futures, Seerveld Gallery, Palos Heights, IL 2023
  • Solastalgic Archive, University of New Mexico, Albuquerque, NM 2019
  • An Exhibition as a Spell, Can Felipa Civic Center, Barcelona, Spain 2018
  • Fire in the Mountains, Heart Six Ranch, Moran, WY 2018
  • SINE SOLE NIHIL, Evanston Art Center, Evanston, IL 2017
  • Dangerous Professors, Triumph Gallery, Chicago, IL 2017
  • GEOMAGIC, New Mexico State University Gallery, Las Cruces, New Mexico 2016
  • Evanston + Vicinity Biennial, Evanston Art Center, Evanston, IL 2016
  • Rules, Tools and Fools, The Annex at Spudnik Press, Chicago 2016
  • Century Safe, Roman Susan, Chicago 2016
  • Echo of Untouched Matter, Lothringer_13, Munich, Germany 2016
  • Batten Down the Hatches, Chicago Artists Coalition, Chicago 2016
  • Village of/for Things, In the Pines, Jackson, WY 2015
  • Golden Spike: Rock Shop of the Anthropocene, Comfort Station,
  • Chicago, IL 2015
  • Records are Written in Stone, Harper College, Palatine, IL (solo) 2015
  • Reference Rot, Chicago Artists Coalition, Chicago 2015
  • Catching a Glimpse, Mila Kunstgalerie, Berlin 2014
  • Plant on Premises, St Michael’s College, Colchester, VT 2014
  • Science/Fiction, ACRE Projects, Chicago 2014
  • Records are Written in Stone, Lease Agreement, Baltimore, MD 2014
  • Slideshow, Roman Susan, Chicago 2014
  • Burden of Proof, North Park University, Chicago 2013
  • Dark Flight, (106) Gallery, Grand Rapids, MI 2013

Publications

  • The Fish Crow, The Disappearing Birds of North America, forthcoming 2024.
  • Thompson, Ryan. AH AH. The Ice Plant: Los Angeles, forthcoming 2023.
  • Thompson, Ryan. “Please Forgive Me, Pele,” McSweeney’s Quarterly Concern, Spring 2023.
  • Toner, Mike. “Many Unhappy Returns,” American Archaeology Magazine, Fall 2022. https://www.archaeologicalconservancy.org/many-unhappy-returns/
  • Baynham, Jacob. “Finders Weepers,” National Parks Conservation Association, Winter 2022. https://www.npca.org/articles/3041-finders-weepers
  • Thompson, Ryan. “Are You Cursed if You Steal Rocks from the Petrified Forest?.” Zócalo Public Square, Nov 7, 2018. http://www.zocalopublicsquare.org/2018/11/07/cursed-steal-rocks-petrified-forest/viewings/glimpses/
  • Mandell, Molly. “Bad Rocks,” Kinfolk, Volume 28, Summer 2018: p 28.
  • Rogers, Claire. “Once Taken, Now Returned,” The Desert Leaf, Oct 2017: p 38-41.
  • Dickson, David. “Micrometeorites Found on City Rooftops,” Sky and Telescope, May 2017: p 10.
  • “Conscience Letter,” felt, ed. Park and Kim, Imprint, 2017: 160-161.
  • Stock, David. “Petrified with guilt,” New Scientist, May 21, 2016, Vol. 230 Issue 3074, p 24-25.
  • “Rock, Paper, Regret.” Adventure Journal, Vol. 1 Issue 03, Winter 2016-2017: p 70-79.
  • Trendacosta, Katharine, “The Conscience and Curse Ridden Return of Stolen Petrified Forest Rocks.” Gizmodo, Feb 6, 2015. https://io9.gizmodo.com/the-conscience-and-curse-ridden-return-of-stolen-petrif-1684163770
  • Harrigan, Chris. “Out of the Woods,” Smith Journal. Winter 2015: 102-111.
  • Thompson, Ryan. “Bad Luck, Hot Rocks.” Esquire (Russia), May 2015: 42-48.
  • Meier, Allison. “Letters of Woe and Curses Returned with Stolen Pieces of the Petrified Forest.” Hyperallergic, Feb 2, 2015. http://hyperallergic.com/178522/letters-of-woe-and-curses-returned-with-stolen-pieces-of-the-petrified-forest/
  • Twilley, Nicola, “Rocks, Paper, Sinners,” The New Yorker, January 23, 2015. http://www.newyorker.com/tech/elements/slide-show-bad-luck-petrified-forest?intcid=mod-latest
  • Ulin, David L., “Conscience letters of the Petrified Forest,” LA Times, December 3, 2014. http:// www.latimes.com/books/jacketcopy/la-et-jc-conscience-letters-of-the-petrified-forest-20141203-story.html<http://www.latimes.com/books/jacketcopy/la-et-jc-conscience-letters-of-the-petrified-forest-20141203-story.html>
  • Bad Luck, Hot Rocks. Los Angeles: The Ice Plant, 2014.
  • “The Size of.” Cabinet Magazine, Spring 2014: 80-81.
  • Lund, Karsten, “Ryan Thompson: Bending Belief,” Fotograf Magazine: Seeing is Believing (2014): 18-23.
  • Marech, Rona, “Bad Luck, Hot Rocks: Stories Behind the ‘Cursed’ Thieves of Petrified Forest”, National Parks Magazine, Vol 88, No. 2, Spring 2014, p 12.
  • “The Dark Flight of Micrometeorites,” Making the Geologic Now, ed. Ellsworth and Kruse, Punctum Press, 2012. http://geologicnow.com/8_Thompson.php
+ Expertise

Thompson’s world view is based on the understanding that the world is broken, complicated by humanity’s sin. He takes seriously his responsibility as a Christian to promote renewal in work and life, bear witness to God’s grace, and encourage the exploration of belief, knowledge, and the physical world.

“I was drawn to the field of art and design because I believe so strongly in its transformative abilities—to change perceptions, reveal greater truths, unite minds, and inspire joy,” said Thompson. “I strive, in my personal practice, to create spaces for grace, restoration, and redemption. I encourage students to view their discipline in a similar way and to engage in the active transformation of our world.”

Scholarship and art isn’t all about transformation, though, says Thompson. It is also about exploration and engagement.

“Art is interactive and provides many opportunities for its participants to engage in conversation, discussion, and learning,” he said. “Through these interactions, we learn from each other how better to care for our world and one another.”

Thompson has demonstrated his world view in his own intentionally varied educational background. Diversity and understanding diversity are a large part of successful engagement with art and the world.

“As an artist and as a Christian, I am called to make diversity central to my educational objectives. I strongly believe that the more diversified we are as a body of believers, the more we can learn from each person’s unique strengths, work together through our weaknesses, and worship God in unity for his love and grace.”

+ Courses, Publications & Research

Dr. Thompson’s Studio Website.   The home for all art, projects, images and photographs by Ryan Thompson and the Department of Natural History.

Courses Taught

2D Design
Digital Media
Beginning & Intermediate Photography
Beginning Drawing
Advanced Media
Special Topics: Art & Ecology
Special Topics: Archive Fever
Visual Culture

Selected Exhibitions

  • DOG, Dog, San Fransisco, CA, 2023
  • Crude Futures, Seerveld Gallery, Palos Heights, IL 2023
  • Solastalgic Archive, University of New Mexico, Albuquerque, NM 2019
  • An Exhibition as a Spell, Can Felipa Civic Center, Barcelona, Spain 2018
  • Fire in the Mountains, Heart Six Ranch, Moran, WY 2018
  • SINE SOLE NIHIL, Evanston Art Center, Evanston, IL 2017
  • Dangerous Professors, Triumph Gallery, Chicago, IL 2017
  • GEOMAGIC, New Mexico State University Gallery, Las Cruces, New Mexico 2016
  • Evanston + Vicinity Biennial, Evanston Art Center, Evanston, IL 2016
  • Rules, Tools and Fools, The Annex at Spudnik Press, Chicago 2016
  • Century Safe, Roman Susan, Chicago 2016
  • Echo of Untouched Matter, Lothringer_13, Munich, Germany 2016
  • Batten Down the Hatches, Chicago Artists Coalition, Chicago 2016
  • Village of/for Things, In the Pines, Jackson, WY 2015
  • Golden Spike: Rock Shop of the Anthropocene, Comfort Station,
  • Chicago, IL 2015
  • Records are Written in Stone, Harper College, Palatine, IL (solo) 2015
  • Reference Rot, Chicago Artists Coalition, Chicago 2015
  • Catching a Glimpse, Mila Kunstgalerie, Berlin 2014
  • Plant on Premises, St Michael’s College, Colchester, VT 2014
  • Science/Fiction, ACRE Projects, Chicago 2014
  • Records are Written in Stone, Lease Agreement, Baltimore, MD 2014
  • Slideshow, Roman Susan, Chicago 2014
  • Burden of Proof, North Park University, Chicago 2013
  • Dark Flight, (106) Gallery, Grand Rapids, MI 2013

Publications

  • The Fish Crow, The Disappearing Birds of North America, forthcoming 2024.
  • Thompson, Ryan. AH AH. The Ice Plant: Los Angeles, forthcoming 2023.
  • Thompson, Ryan. “Please Forgive Me, Pele,” McSweeney’s Quarterly Concern, Spring 2023.
  • Toner, Mike. “Many Unhappy Returns,” American Archaeology Magazine, Fall 2022. https://www.archaeologicalconservancy.org/many-unhappy-returns/
  • Baynham, Jacob. “Finders Weepers,” National Parks Conservation Association, Winter 2022. https://www.npca.org/articles/3041-finders-weepers
  • Thompson, Ryan. “Are You Cursed if You Steal Rocks from the Petrified Forest?.” Zócalo Public Square, Nov 7, 2018. http://www.zocalopublicsquare.org/2018/11/07/cursed-steal-rocks-petrified-forest/viewings/glimpses/
  • Mandell, Molly. “Bad Rocks,” Kinfolk, Volume 28, Summer 2018: p 28.
  • Rogers, Claire. “Once Taken, Now Returned,” The Desert Leaf, Oct 2017: p 38-41.
  • Dickson, David. “Micrometeorites Found on City Rooftops,” Sky and Telescope, May 2017: p 10.
  • “Conscience Letter,” felt, ed. Park and Kim, Imprint, 2017: 160-161.
  • Stock, David. “Petrified with guilt,” New Scientist, May 21, 2016, Vol. 230 Issue 3074, p 24-25.
  • “Rock, Paper, Regret.” Adventure Journal, Vol. 1 Issue 03, Winter 2016-2017: p 70-79.
  • Trendacosta, Katharine, “The Conscience and Curse Ridden Return of Stolen Petrified Forest Rocks.” Gizmodo, Feb 6, 2015. https://io9.gizmodo.com/the-conscience-and-curse-ridden-return-of-stolen-petrif-1684163770
  • Harrigan, Chris. “Out of the Woods,” Smith Journal. Winter 2015: 102-111.
  • Thompson, Ryan. “Bad Luck, Hot Rocks.” Esquire (Russia), May 2015: 42-48.
  • Meier, Allison. “Letters of Woe and Curses Returned with Stolen Pieces of the Petrified Forest.” Hyperallergic, Feb 2, 2015. http://hyperallergic.com/178522/letters-of-woe-and-curses-returned-with-stolen-pieces-of-the-petrified-forest/
  • Twilley, Nicola, “Rocks, Paper, Sinners,” The New Yorker, January 23, 2015. http://www.newyorker.com/tech/elements/slide-show-bad-luck-petrified-forest?intcid=mod-latest
  • Ulin, David L., “Conscience letters of the Petrified Forest,” LA Times, December 3, 2014. http:// www.latimes.com/books/jacketcopy/la-et-jc-conscience-letters-of-the-petrified-forest-20141203-story.html<http://www.latimes.com/books/jacketcopy/la-et-jc-conscience-letters-of-the-petrified-forest-20141203-story.html>
  • Bad Luck, Hot Rocks. Los Angeles: The Ice Plant, 2014.
  • “The Size of.” Cabinet Magazine, Spring 2014: 80-81.
  • Lund, Karsten, “Ryan Thompson: Bending Belief,” Fotograf Magazine: Seeing is Believing (2014): 18-23.
  • Marech, Rona, “Bad Luck, Hot Rocks: Stories Behind the ‘Cursed’ Thieves of Petrified Forest”, National Parks Magazine, Vol 88, No. 2, Spring 2014, p 12.
  • “The Dark Flight of Micrometeorites,” Making the Geologic Now, ed. Ellsworth and Kruse, Punctum Press, 2012. http://geologicnow.com/8_Thompson.php